Verkkoin the light of this performative nature of development, it is not surprising that literal forms of performance—theatre, dance and ritual—have come.
Verkkoin particular, it posits the intersection of theatre, film and media history as key to understanding digitally enhanced contemporary experiences and expectations of.
Verkkocharting the development of collaboratively created performances from the 1950s to the early 21st century, it presents a range of case studies drawn from britain, america.