Verkkoin particular, it posits the intersection of theatre, film and media history as key to understanding digitally enhanced contemporary experiences and expectations of. Verkkoconsidering a variety of sites of convergence culture, such as blogs, wikipedia, and second life, bruns argues that digital technology complicates the distinctions. Verkkocharting a hegemony of audism within theatre praxis, richardson argues that hybridity can foreground the sensory needs and preferences of both. Verkkothis article explores the notion of hybridity in the traditional theatrical space (analogical era) and in the immersive contemporary performance that now. Verkkoexisting convergence of the data in theatre and performance research and the value of its interconnectivity despite these hurdles. It articulates the potential for mapping. I used my expertise in both theatre and film to create a recording of a children’s theatre.
