Verkkoin particular, it posits the intersection of theatre, film and media history as key to understanding digitally enhanced contemporary experiences and expectations of.
Verkkocharting the development of collaboratively created performances from the 1950s to the early 21st century, it presents a range of case studies drawn from britain, america.
Verkkofilms, from blockbusters to indie gems, offer a unique lens into different societies, providing not only a window into other cultures but also a mirror.
Verkkothis chapter argues that notions of universality, originality and authenticity attributed to shakespeare are constantly scrutinised by adaptations of his works.