Webin this chapter, we embrace the paradox that surfaces in visual culture, between the hidden and the unveiling, focusing on the presence of face masks in the art field and in a pandemic context. Webwhether they are hiding the identity of a robber, covering a disfigured face, or protecting a ku klux klan member, they provide at least the illusion of anonymity. From a practical standpoint,. Webin this paper, we examine the place and use of masks as markers of personal and social identities, as well as social responsibility. Webthe person within the mask: Kelley1 arizona state university. Webno facial traits distinguish individual identity; They all become part of communal identity. Human faces can also be masks, homogeneous and impenetrable masks. In a social role, every person will be judged by and as a collective, despite the face’s fluctuations and infinite expressions. Webbeing “visible” or seen as belonging to a privileged identity (i. e. , straight white male) might offer certain advantages in itself. On the other hand, being “invisible” within an oppressed identity (i. e. , gay black male) might protect individuals from harassment and discrimination. Webyou may find it helpful to work alongside your therapist to identify and develop a theme or direction for your mask. Results indicate significant differences in cooperative behavior based on mask usage and political affiliation. Webgillian wearing’s artwork continually interrogates the production and performance of identity in public and private spaces. Emerging from the movement of yba’s in the 90s, wearing has worked across photography, film, painting, and sculpture to investigate constructions of selfhood and the disguises we regularly adopt. An exploration of personal authenticity with jisun sunny fisher, ph. d. In this insightful episode, jay and gary welcome dr. Jisun sunny fisher, a. k. a. J, for a deep dive into the intricate layers of the human psyche.
