Weblast week i offered a (brief!) history of gregorian chant in the liturgy of the catholic church. Today, i will discuss what makes chant distinctive among musical forms, and. Webtheir influence is reflected in the music at st. Chant and polyphony for both the novus ordo mass and the traditional latin mass. Webthe monophonic song of religious rites, most often christian, but also hebrew, moslem, and buddhist, prior to the ascendancy of polyphony in the 13th century. Webtaking the lead from st. Pius x (tra le sollecitudini, 1903), the formula seemed easy: The more sacred music is like gregorian chant and classical roman. Webeventually, they brought the world “polyphony”—a musical texture made of two or more simultaneous melodies sounded by independent voices or instruments. Webthe church acknowledges gregorian chant as specially suited to the roman liturgy, with the result that, other things being equal, it ought to be given the foremost place in. Webthe first nine chapters touch on three main topics:
